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January 30 Gautam and IndriyavijayIndriyavijay enters ever open door of Gautam’s hut. Gautam is drinking green tea with a lot of concentration – like always. Indriyavijay takes a seat in front of him. Rays of soft morning sun are filtering from the window behind his head. He looks inside the teacup, lifts it with both his hands. As the cup comes close to his face, the vapor from the cup brightens due to the shaft of sun. Waves of vapor take a few moments hanging near Gautam’s face and almost unwillingly move away, vanishing as they rise beyond his face and sunray. Gautam sips tea with closed eyes and slowly replaces the cup at the same spot. His eyes followed the cup throughout, Indriyavijay noticed. He knows it is Gautam’s tea meditation. Gautam has this habit of turning any day-to-day activity into a meditation. All his meals, bath, walk or chopping wood looks like slow-motioned Tai Chi. After two sips Gautam looks up. Indriyavijay does not know if he is looking at him or his vision going through him. However, by now he knows Gautam too well. Indriyavijay: Is something wrong, you are looking a little glum. Gautam: What is glum? Indriyavijay: (correcting himself) I mean perhaps a little quieter. Gautam: Yes I am feeling quieter internally. Isn't that good. Indriyavijay: Yes… it is. (Deciding not to ask any more probing questions) Gautam: you did come to ask me anything. You came to tell me something. Indriyavijay: we are going to pick wood from forest. Are you coming? Gautam: Actually my plans are to exercise my feet and legs, touch my toes few times, work on the strength of my fingers and palm and finally do some weight lifting. Indriyavijay: oh, you have a busy schedule. So, we will carry on. We need wood for making tea and cooking dinner. Gautam: (picking the cup) fine. Indriyavijay bows and swiftly moves and starts calling out to others to join him. In a few moments a group of monks are seen collecting dried twigs from the ground. After sometime monks noticed Gautam too was collecting wood and was ahead of them. A surprised Indriyavijay asked, ‘but you wanted to exercise!’ Gautam: (looking down) see that’s precisely what I am doing; walking, touching my toes, working on my fingers and palms and lifting gradually growing weight… January 02 Barsat Ki RatFilm opens with a statue of a boy playing with a lion. Shri Vishva Bharati Films Presents Barsat Ki Rat Card#1 *ing Madhubala, Bharat Bhooshan, Shyama, Chandra Shekhar Card#2 with K N Singh, Peaace Kanwal, S K Prem, Introducing Khursheed Bawara, Ratna Card#3 Supported by Mirza Mushraf, Mumtaz Begum, Baby Shobha, Umar Daraz, Balam K Dinanath, M A Latif, Nazir Kashmiri, Haroon Rashid Khan, Sadhana, Prakash, Naomi Babu Raje, Ravi Kant Nagpal, Parveen Paul Card#4 Story: Rafi Ansari Dialgue: Sarkar Sailani Card#5 Screenplay: Bharat Bhooshan, P L Santoshi Card#6 Director of Photography: M Rajaram (WICA) Card#7 Editing: P S Khochikar (AFE) Card#8 Art Director: Ganesh Basak Card#9 Assistants: Direction: Datta Chavan, Srivastava, Billa Chawdhary Camera: Anand Yashirde, Shashi Wadkar Editing: Anant Dharamadhikaria Art: B N Sarkar Makeup: Daulat Satpal Music: Master Sonik Production: Beechan Satya Paul, Pandurang Card#10 Makeup: Akhtar Mercy Wardrobe: John Fernandes Wig Maker: Sadnand Vardam Costumes: Jaggi Tailors Card#11 Stills: Kamat Photo Flash Poster Printed by: Prasad Process Works, Madras Bachground Painting: Yusuf Main Titles: Ansari (G D Art) Card#12 Playback: Lata Mangeshkar, Asha Bhonsle, Sudha Malhotra, Mohd. Rafi, Manna Dey, S D Badish, Shanker Shamboo, Balbir, Suman Kalyanpur, Kamal Barot Card#13 Songs Recorded by: Minoo Katrak, B N Sharma, Kaushik Card#14 Processed at: Famous Cine Lab, Tardeo, Bombay Processed by: Lingayat Recorded on RCA Sound System Songs Recorded on: HMV Records Card#15 Production Executive: Ashfaquddin Ahmad Production Secretary: Rajesh Kumar Card#16 Production Controller: B L Prashar Card#17 Publicity: Harish Mehra Card#18 Lyrics: Sahir Ludhianvi Card#19 Music: Roshan Card#20 Produced by: R Chandra Card#21 Directed by: P L Santoshi Song#1 Garjat barsat sawan ayo re / Lata, Asha / Shayama, Mumtaz in front of the music teacher Song#2 Zindagi bhar nahin bhoolegi wo barsat ki raat / Mohd. Rafi / Bharat Bhooshan in front of microphone in Radio station / Madhubala listening to radio in her home Song#3 Maine shayad tumhe pehle bhi kahin dekha hai / Bharat Bhooshan sings on stage / Madhubala In audience Funny line: Between Madubala and her friend Shanti: “Shanti kya nahin janati.” Madhubala: “Main nahin manati” Song#4 Zindagi bhar nahin bhoolegi wo barsat ki raat / Lata, Rafi / on Madhubala, tragic situation / in last part Bharat Bhooshan sings ‘Roothane wali meri baat se mayus na ho’ Song#5 Kya gham jo Andheri hain raatein / Rafi / Bharat Bhooshan in radio station / Madhubala listens on radio Song#6 Mayoos to hoon wade se tere / Rafi / Bharat Bhooshan in ironsmith’s place / Madhubala is not able to come to meet him Song#7 Migahe naaz ke maron ka haal kya hoga / Qawwali competition / Lata, Asha, S D Badish / Shyama, Mumtaz and Qawwal actor / Opening lines “ada bijali, badan shoal, bhanvein khanjar, nazar qatil, galat kya hai hamein kehti hai ye duniya agar qatil” Song#8 Pehchanata hoon khoob tumhari nazar ko main, jane na doonga haath se dil aur jigar ko main / Qawwali competition / S D Badish, Asha / Bharat Bhooshan writes for Shyama and Mumtaz / they win Song#9 Mujhe mil gaya bahana tere deed ka / Lata / Shyama / Happy / Night Song#10 Na to caravan ki talash hai, na to hum safar ki talash hai / Qawwali competition / Manna Dey, Asha, Lata, Rafi / Qawwal, Bharat Bhooshan, Shyama, Mumtaz /Madhubala comes, Shyama faints Madhubala and Bharat Bhooshan unite / film ends |
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